![]() It is very important to follow these requirements, since each festival publishes its own catalogues and other materials dedicated to the project, where it places information about films. When it comes to 100 characters, logline will stand for a synopsis. In some cases, the number of characters may increase up to 1000. As a rule, selectors ask you to fit in 6–7 sentences (about 300 characters). If no conversation ensues, your logline has failed.Practically all international festivals require a synopsis in English. ![]() ![]() Loglines may simplify details and certainly leave questions open – which is good, because you want the recipient to ask you questions after they have heard your logline. Both their goals or wants factor heavily, since motivations are what drive them to act, and their action comprises the plot. Often, the antagonist is described with one adjective too. Main characters are often described with one adjective which points to that character’s core emotion. They may leave open to the reader’s imagination all that might happen in the story. Or they may suggest the change that the story describes, which means they effectively give away the ending. They tend to include the main problem, the principle conflict, or the main character’s great dilemma. You’ll notice that the examples often describe the premise. Star Wars – A New Hope A fairy tale set in a distant galaxy has an adventurous boy having to leave his provincial home in order to rescue a princess and destroy the evil lord’s mighty space station fortress. Each has a different approach, and the one who least wanted the throne succeeds to it. The Godfather The three sons of a king fight to protect their empire when their father, a mafia Don, is shot. However, before a book is published or a film released, the name by which it is referred to is often a working title, which may yet be changed. Your work needs a title, and if you have one already, it can be a great support to your logline. If you know the material, judging the effectiveness of a logline is a completely different thing from reacting to nothing more than a sentence of thirty words.įurthermore, bear in mind that a logline need not stand alone. And of course, the stories have already been told. It can always be improved.Īs examples, we have chosen well-known stories, so that you can see how the principle of the logline works. The examples cited below are not perfect. If the recipient doesn’t want science fiction, and your story is science fiction, then it is probably better for both of you that no more time is wasted. Is it a story for children? If so, what age group? Is it a story aimed at women rather than men? Most people will have interests, and dislikes. This carries implications of target audience. That means, the logline should convey the genre – by which we mean the general style of the work. While the logline’s ultimate function is to arouse the recipient’s curiosity, the first thing this person wants is to be able to categorise the story. In the latter, you should at least not keep the ending a secret. In the first case, you must not give away the ending of the story. In the latter, you are trying to convince an editor or film producer to read on, perhaps in the hope of getting a contract worth a few thousand dollars. In the former case, you are trying to convince a consumer to spend a few dollars (or pounds, or euros) on a book. A one-sentence blurb on the back of a book is likely to be different from the one sentence heading an exposé for a publishing house or production company. ![]() Therefore your story may have several variations of logline for different situations or recipients. So it is important to know at whom it is directed. The purpose of the logline is to pitch your story. The first of these points even counts double – since usually the logline should convey not only who the main protagonist is, but also what antagonism she faces.
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